Joey King Interview on The Lie, Horror, and Choosing Roles

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Joey King Interview on The Lie, Horror, and Picking Roles



Picture Supply: Amazon Studios
Whereas Joey King is not any stranger to the horror style, Blumhouse’s The Lie, which premiered on Amazon Prime Video on Oct. 6, is a brand new chapter for her — not like her earlier horror films, there’s nothing supernatural about it. Within the movie, King stars as Kayla, a teenage woman nonetheless reeling from her mother and father divorce who makes a deadly mistake, which in the end prices her all the things she holds pricey. Nonetheless, The Lie is not simply Kayla’s story; it is also in regards to the excessive lengths that oldsters — performed right here by Peter Sarsgaard and Mireille Enos — will go to guard their youngsters.

In relation to horror, King is often the sufferer slightly than the “evil” mastermind. With The Conjuring and Want Upon, there’s something supernaturally sinister at work, however with The Lie, issues are rather more real looking. “This isn’t the everyday horror film,” King advised CelebrityPie about what drew her to the venture. “It is each particular person’s, and fogeys’, worst nightmare that this might occur to them or somebody they know. What drew me a lot to the character and to this movie is how deceptive all of it was.” Deceptive is definitely the precise phrase as Kayla’s household spends a lot of the film diverting consideration from the very fact their daughter supposedly murdered her buddy.

“I actually beloved how complicated my character Kayla is and the way the viewers struggles a lot with whether or not to have empathy or to think about her a monster.”

“I actually beloved how complicated my character Kayla is and the way the viewers struggles a lot with whether or not to have empathy or to think about her a monster,” King mentioned. This is not the primary time audiences have struggled with what to really feel about certainly one of King’s characters. Each The Act and The Lie heart on a seemingly harmless woman that will get swept up within the hopes of a greater life; albeit Gypsy is manipulated by her mom whereas Kayla simply needs to get her mother and father again collectively. “Kayla is extra relatable in a way. When going by a tough time, even when she will get detrimental consideration from her mother and father, she nonetheless seeks that spotlight, and performing out is one thing that is not that uncommon.” Whereas The Act ends with the homicide of Gypsy’s mom, in The Lie, the mother and father commit a homicide of their very own.
Peter Sarsgaard as Jay and Joey King as Kayla in THE LIE
Picture Supply: Amazon Studios
What actually provides The Lie its unsettling really feel are the masterful performances of Sarsgaard and Enos as Kayla’s mother and father. You actually really feel for them as they attempt to reconcile the daughter they knew with the Kayla who exists postmurder. “I actually simply beloved them. They’re so fantastic, variety, and simply hilarious,” King mentioned about working with the pair. “Whenever you’re filming in a loopy chilly local weather with fairly intense scenes, it is good to have people who find themselves actually fun-loving and fantastic round.” Their offscreen connection interprets into a sensible household onscreen, making the gut-wrenching twist that extra terrifying on the finish. “Her mother and father commit homicide and it is all her fault, and now she’s going to be an orphan due to it. It is in all probability probably the most horrifying realization.”

The Lie is simply the most recent instance of how Blumhouse takes actual fears and turns them into an unimaginable horror, with King’s private favourite being Get Out. “It is such a intelligent tackle such an essential challenge, but remaining simply probably the most entertaining, scary, intense film you have ever seen. It is certainly one of my favourite horror films of all time.” Figuring out that Blumhouse is such a powerhouse with regards to essential points allowed King to make the function her personal, whereas nonetheless staying true to the message. “If I really feel like I am getting into one thing that does not really feel like I could make it my very own, then I do not actually need to do it. It has to have some type of grounding ingredient and a basis that makes them distinctive to some other character I’ve performed earlier than.”



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