Netflix’s latest fantasy sequence Cursed retells the story of King Arthur with a slight twist. Slightly than specializing in King Arthur, the present — primarily based on a ebook of the identical title written and illustrated by Tom Wheeler and Frank Miller — facilities on a fairy named Nimue (performed by Katherine Langford), who upon witnessing her mom’s killing, is tasked with returning a cursed sword to a robust sorcerer with a purpose to save her nation. The story’s primarily been given a contemporary replace, although the type and magnificence components stay conventional and primarily based on Celtic historical past.
Whereas visiting the present’s UK set, POPSUGAR spoke with the hair and make-up division to get somewhat extra information on how the 40+-person crew introduced the otherworldly characters to life by means of prosthetics and historically-inspired hair and make-up.
“I’ve by no means had a lot enjoyable in my life — ever,” the present’s make-up and prosthetics designer Erika Ökvist advised POPSUGAR when discussing the appears to be like. Every character or group on the present was rigorously designed. Take Fey, for instance, the group of individuals within the present that Ökvist describes because the “spawn of the Satan” (and contains the primary character, Nimue): no element was too small.
“Should you translate [Fey], it means magical,” Ökvist mentioned. “So the thought with it was that, visually, they’ve a particular sort of haircut and in addition they have gotten all these steel hair pins of their hair which is honoring and going again to the Celtic custom the place we acquired this story from. In nearly all of the Celtic graves you’ve got acquired these hair pins. I have not actually seen it anyplace, in order that’s why I wished to honor that look.”
For Ökvist, that meant ensuring the Fey — who spend many of the story being hunted by Father Cardin (Peter Mullan) and the Pink Paladins — did not look an excessive amount of like legendary creatures. “We did not need them to be creatures that you do not really feel that they are human beings you can really feel for,” she mentioned. “We’re speaking about genocide right here and we would like it to be feeling actually human so I base the whole lot on one thing that may really occur to folks.”